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న Get Can You Ever Forgive Me?: Memoirs of a Literary Forger (English Edition) online 帚 Book Author Lee Israel ᔱ

న Get Can You Ever Forgive Me?: Memoirs of a Literary Forger (English Edition) online 帚 Book Author Lee Israel ᔱ న Get Can You Ever Forgive Me?: Memoirs of a Literary Forger (English Edition) online 帚 Book Author Lee Israel ᔱ Best of the Month, August 2008 If David Carr s voluminous, well documented Night of the Gun is the Warren Report of apologetic memoirs, Lee Israel s Can You Ever Forgive Me is its cheeky, slim opposite Barely repentant and witheringly funny, Israel recalls her short life of literary crime as, first, the forger of signed letters by such personages as Dorothy Parker, Noel Coward, and Louise Brooks, and then, desperately, an out and out thief of such documents, all for resale to dealers and collectors She has nearly as much fun telling her story as she did as a forger, and she proudly includes many examples of her handiwork two of her Coward fakes passed muster enough to be included in the authoritative Letters of Noel Coward Reading her memoir, it s no surprise she could take on the roles of these legendary wits she s a master of the cutting, brilliant observation that made her subjects famous her portrait of her hapless criminal partner is vicious and priceless No doubt they would have found her an excellent correspondent Tom NissleyCan You Ever Forgive Me Brick and Pigeons I f with that last letter you pictured the urbane playwright in Switzerland, cigarette holdered and smoking jacketed, dashing off a letter in the 1960s from a cozy nook high up in Chalet Cowardthe house he bought in the Alps to take advantage of Switzerlands kinda gentler tax lawslocated at Les Avants, Montreux, just down the mountain from the David Nivens at Chteau dOex, where Coward entertained guests that included Marlene, Garbo, George Cukor, Rebecca West, and a group that Elaine Stritch once called all the Dames Edith you would be wrong Every letter reproduced here, along with hundreds like them, were turned out by meconceived, written, typed, and signedin my perilously held studio apartment in the shadow of Zabars on New Yorks Upper West Side in 1991 and 1992 A room with a view not of Alpine splendor, but of brick and pigeons, a modest flat I took in the spring of 1969 with the seventy five hundred dollar advance that G P Putnams Sons had given me to do my first book, a biography of Tallulah Bankhead I sold those letters to various autograph dealers, first in New York City, and was soon branching out across the country and abroadfor seventy five dollars a pop Nol Cowards soi disant letters were typed by me on what I remember was a 1950ish Olympia manual, solid as a rock, bigger than a bread box, not so much portable as luggable Nols Olympia was the one I would have the most trouble schlepping when the FBI was about to come calling For the nonce, I was content, researching my Tallulah biojust me, my cat, and my contract, in my cozy, rent controlled room with no view I had never known anything but up in my career, had never received even one of those formatted no thank you slips that successful writers look back upon with triumphant jocularity And I regarded with pity and disdain the short sleeved wage slaves who worked in offices I had no reason to believe life would get anything but better I had had no experience failing Miss Tallulah Bankhead was a succs destime The book had respectable sales and attracted many admirers, especially in the gay community By which I mean men Lesbians dont seem to harbor the gay sensibility with the same vigorous attention to detail as the guys who, I suspect, are born with the Great American Songbook clinging to the walls of their Y chromosomes I continued to be wined and wooed by publishers, in various venues of young veal and Beefeater gin My second book, Kilgallen, was conceived at one of those chic, deductible lunches, over gorgeous gin martinis My work on the book began in the mid 1970s and continued for about four years I researched at the Library for the Performing Arts at Lincoln Center, where I was always comfortable I had even given the library a percentage of my take on Tallulah Kilgallen sold well and made the best seller list of The New York Times It appeared for one week with a snippy little commentary by the book section editor, running as a kind of footerthe commentary, not the editor Since I had written for the Arts and Leisure section frequently, when it was under the talented editorship of Seymour Peck, the papers distaste for my work surprised and chagrined No matter I was now entitled to say that I was a New York Times best selling author, and I frequently did A particularly compelling part of the Kilgallen story was her controversial death, which had occurred just after she told friends that she was about to reveal the truth about the assassination of JFK I remember swimming laps, with the mantra Who killed Dorothy Who killed Dorothy playing under my swim cap I made money from my second book Not Kitty Kelley, beachfront property money, and no than I would have made in four years in middle management at a major corporation as if any major corporation would have had me, or I it There was enough, however, to keep me in restaurants and taxis. 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    • Can You Ever Forgive Me?: Memoirs of a Literary Forger (English Edition)
    • 2.3
    • 157
    • Format Kindle
    • 145 pages
    • Lee Israel
    • Anglais
    • 16 May 2017

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